![]() ![]() It needs to be cared for to ensure its longevity such as being placed in museum-style glass cases when on display which is a look he likes and has used in the past. ‘‘It has the colour and texture I enjoy.’’ In the past few years instead of making works out of bronze, iron or other metals he has been sculpting with ‘‘nice quality’’ wax and choosing not to cast them. It’s a valuable way for an art work to operate.’’ ‘‘In a house you keep bumping into it, you can walk around it, you can encompass it in your own environment. Twiss (84) describes himself primarily as an object maker and has a soft spot for small works that can ‘‘dissipate’’ into a person’s home, allowing them to have a long-term relationship with it as compared to brief looks at large works in galleries or streets. You get to like things so you want them carry on.’’ ‘‘The last couple of years I’ve given a lot away to galleries and collections. ‘‘Once they are over a certain size it becomes an argument between a piano and a piece of sculpture. I don’t make good stuff for gardens.’’Īs most of his works are inside pieces it also made his works hard to home. especially when you are the type of sculptor I am. ![]() Large works are more difficult to find homes for. ![]() It just fills up space in your studio - I keep small works. One of the problems of a sculptor is what the hell do you do with it. ‘‘I have a big collection of my own work. Known as the ‘‘godfather’’ of contemporary sculpture in New Zealand, Greer Twiss’ work is being showcased in Dunedin for the first time in decades, the sculptor tells Rebecca Fox.Īfter more than 60 years sculpting it is understandable that Greer Twiss struggles to find room for his work. ![]()
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